Printmaking 1 has been a hugely enjoyable and rewarding course. I have been introduced to new techniques and developed techniques with which I was already familiar. I have improved my working practice as the course has progressed, especially in the … Continue reading
One of the great benefits of being a printmaker, as opposed to a painter, say, is that we often come together to work in an open press situation and therefore readily form part of a practicing community. During my course, … Continue reading
Morandi Print Series Akiko’s Bottles I ‘Akiko’s Bottles’ is a small drypoint print from acetate in two colours. This is an artist’s proof pulled to try out colours. Later prints lost their strength of tone, as the burr on the … Continue reading
The assessment criteria for the Printmaking 1 are: Demonstration of Technical and Visual Skills – materials, techniques, observational skills, visual awareness and compositional skills Quality of Outcome – content, application of knowledge, presentation of work in a coherent manner, conceptualisation … Continue reading
The assessment criteria for the Printmaking 1 are: Demonstration of Technical and Visual Skills – materials, techniques, observational skills, visual awareness and compositional skills Quality of Outcome – content, application of knowledge, presentation of work in a coherent manner, conceptualisation … Continue reading
Parameters to consider in paper selection: weight and strength, whether or not using a press and/or soaking the paper difficulty of cutting and handling (eg Lokti tissue) colour sizing (suitability for soaking, how will it accept the ink) finish/texture beauty … Continue reading
