Tag Archives: oca

Final Course Reflection

Printmaking 1 has been a hugely enjoyable and rewarding course. I have been introduced to new techniques and developed techniques with which I was already familiar. I have improved my working practice as the course has progressed, especially in the … Continue reading

Posted in Critical Reflection, Part 5 Combining Print Techniques, Printmaking 1, Reflection, Uncategorized | Tagged , , , , | Leave a comment

Being Brave – Exhibiting

One of the great benefits of being a printmaker, as opposed to a painter, say, is that we often come together to work in an open press situation and therefore readily form part of a practicing community. During my course, … Continue reading

Posted in Critical Reflection, Printmaking 1, Reflection, Study Visits and Exhibitions | Tagged , , , , , , , , , | 1 Comment

Rembrandt Exhibition

The exhibition at the National Gallery of Rembrandt’s later works from 1659 onwards. This was a time when Rembrandt was no longer fashionable and he was facing increasing difficulty obtaining commissions. He had overstretched himself financially, borrowing heavily to build … Continue reading

Posted in Printmaking 1, Study Visits and Exhibitions | Tagged , , , | Leave a comment

Part 5 Gallery

   

Posted in Part 5 Gallery, Printmaking 1 | Tagged , , , , , , , , | 3 Comments

Project 15 – Four Combination and Experimental Prints

For the final project in the course, I had a number of ambitions: to continue to look at the subject of iron smelting and casting to use my own created chine colle papers to combine monoprinting with carborundum printing, inspired … Continue reading

Posted in Part 5 Combining Print Techniques, Printmaking 1, Project 15 - Four Combination Prints | Tagged , , , , , , , , , , , , , | 5 Comments

Project 14 Investigating Combination Printmaking with Chine Colle

I have experimented with chine colle at earlier points throughout the course, combining various papers such as tissue, Lokti, Kahdi and gold leave with woodcut, collagraph and linocut. I wanted, in this project, to be rather more ambitious and use … Continue reading

Posted in Part 5 Combining Print Techniques, Printmaking 1, Project 14 - Combination Printmaking with Chine Colle | Tagged , , , , , , | Leave a comment

Research Point – Chine Colle

Chine colle is the application of pasted thin papers or metal leaf to a plate such that when it is printed, the inked image will overprint the applied paper and integrate it into the image and the support. Printmakers use … Continue reading

Posted in Printmaking 1, Research Point - Chine Colle, Research Points | Tagged , , , , , , , , , | Leave a comment

Project 13 Combination Monoprint

For this project, I wanted to continue to build on work from previous projects where I felt my plates could be enhanced by a monoprinted background. In particular, I wanted to look at the idea of combining a monoprinted background … Continue reading

Posted in Part 5 Combining Print Techniques, Printmaking 1, Project 13 - Combination Monoprint | Tagged , , , , , , , , , | Leave a comment

Research – Combining Monoprints with Other Techniques – Barbara Rae

When trying to look at examples of prints combining monoprinting with other techniques, Barbara Rae instantly came to mind. I saw two of her works in the ‘flesh’ at this years RA Summer Exhibition, and they stood out for the … Continue reading

Posted in Combining Monoprints with Other Techniques - Barbara Rae, Part 5 Combining Print Techniques, Printmaking 1, Research Points | Tagged , , , , , , , , , | 2 Comments

IPE 2014

To challenge myself to produce an edition, I entered the International Print Exchange run by Green Door Printmaking, Derby. I entered a small drypoint developed from looking at Morandi’s work and described here. You submit an edition of 10 prints, … Continue reading

Posted in Experimental Printmaking, Printmaking 1 | Tagged , , , , , , , , , | 3 Comments