Tag Archives: woodcut

Part 5 Gallery

   

Posted in Part 5 Gallery, Printmaking 1 | Tagged , , , , , , , , | 3 Comments

Project 15 – Four Combination and Experimental Prints

For the final project in the course, I had a number of ambitions: to continue to look at the subject of iron smelting and casting to use my own created chine colle papers to combine monoprinting with carborundum printing, inspired … Continue reading

Posted in Part 5 Combining Print Techniques, Printmaking 1, Project 15 - Four Combination Prints | Tagged , , , , , , , , , , , , , | 5 Comments

Japanese Printmaking Course

I have spent an exhausting but rewarding couple of days learning traditional Japanese printmaking with Laura Boswell hosted by the RHS at Wisley. Laura started the course with an extremely interesting introduction to the history of Japanese woodblock printing explaining … Continue reading

Posted in Experimental Printmaking, Printmaking 1 | Tagged , , , , , , , , , , , | 1 Comment

Woodcut Mark Making – Unfinished Business

I wanted to return to wood cut following my experiments in waterbased Japanese style woodcut,  to try more expressive marks and use oil based inks. I returned to a design I developed for a linocut, but didn’t print because I … Continue reading

Posted in Combined Woodcuts, Experimental Printmaking, Part 3 Advanced and Experimental Relief Prints, Part 4 Collagraphs, Printmaking 1 | Tagged , , , , , , , , , | Leave a comment

Part 3 Gallery

This gallery contains 21 photos.

More Galleries | Tagged , , , , , , | 1 Comment

Project 10 – Experimental Relief Cuts

My objective in this project was to build on the experimental marks from Project 9 to create an abstract or semi-abstract design for a print. I played around in my sketchbook with marks to see what they suggested. I particularly … Continue reading

Posted in Part 3 Advanced and Experimental Relief Prints, Printmaking 1, Project 10 - Experimental Relief Prints, Project 10 - Experimental Relief Prints Part 2 | Tagged , , , , , , , , , , , , , , , | Leave a comment

Research Point – Experimental Methods in Relief Mark Making

For this research point on experimental methods, I have confined my research to relief printing in order to be manageable and relevant to my current work. I can find very exciting works in areas such as collagraph combined with etching, … Continue reading

Posted in Experimental Methods in Relief Mark Making, Part 3 Advanced and Experimental Relief Prints, Printmaking 1, Project 10 - Experimental Relief Prints, Research Points | Tagged , , , , , , , , , , , , , , | Leave a comment

London Original Print Fair

As part of my research into mark making, I went to the LOPF at the RA, hoping to see some inspiring work. There was lots of work by famous printmakers; Ravillious, Bawden, Piper, Hockney, Picasso etc, so the visit was … Continue reading

Posted in Printmaking 1, Project 10 - Experimental Relief Prints, Study Visits and Exhibitions | Tagged , , , , , , , , , , , | Leave a comment

Project 10 – Experimental Relief Prints – Woodcut

This project gave me a chance to further explore Japanese Woodblock. To this purpose, I have bought: set of Japanese tools more faced ply from Intaglio a pad of Hosho from Intaglio a wide, high quality decorators brush. To learn … Continue reading

Posted in Experimental Printmaking, Part 3 Advanced and Experimental Relief Prints, Printmaking 1, Project 10 - Experimental Relief Prints | Tagged , , , , , , , | 1 Comment

Project 7 – Multiplate Print – Experiment in Woodcut

Inspired by visiting the Klee exhibition at Tate Modern, and by the work of Paul Furneaux (http://www.paulfurneaux.com/) thought I would have a go at a simple woodcut printed using waterbased inks in the traditional manner of moku hanga. I based … Continue reading

Posted in Experimental Printmaking, Part 2 Introduction to Relief Printing - Linocuts, Printmaking 1, Project 7 - Multiblock Linoprint | Tagged , , , , , , , , , , | 3 Comments